Аннотация: The art of Medieval Europe of the 5th-13th centuries was dominated by features of a naive-fantastic understanding of reality, especially evident in polychrome ornamentics and the treatment of zoomorphic motifs.
The object of scientific research of the article is decorative and applied art of the period of formation of the foundation of a new European civilization, which appeared in conditions of mobile, almost nomadic lifestyle and absolute illiteracy of the population. Today these works are preserved in museum collections and private collections.
The subject of the study are collections of Fashion Houses, which turned to the art of the Early Middle Ages when creating clothing and accessories.
Research analytics is built on an iconographic method that systematizes images and stories.
The task of the study is to identify the tendency to borrow elements of early-age art by the latest fashion of the XXI century.
The object of scientific research of the article is decorative and applied art of the period of formation of the foundation of a new European civilization, which appeared in conditions of mobile, almost nomadic lifestyle and absolute illiteracy of the population. Today these works are preserved in museum collections and private collections.
The subject of the study are collections of Fashion Houses, which turned to the art of the Early Middle Ages when creating clothing and accessories.
Research analytics is built on an iconographic method that systematizes images and stories.
The task of the study is to identify the tendency to borrow elements of early-age art by the latest fashion of the XXI century.
Ключевые слова: Alena Akhmadullina, Tom Braun, Alexander McQueen, D&G, Schiaparelli, Chanel, Gucci
Статья в сборнике научных трудов по материалам конференции (форума) «International Conference on Research, Learning and Development»